Read Along: Hunger Game Theory
When the Girl Who Was on Fire was originally released, we took a deeper look at each of the essays found inside the anthology. With the release of the Movie Edition, we will be analyzing the three additional pieces. This is the first in that series.
If you’d like to check out our previous read along essays, click here.
Hunger Game Theory
by
Diana Peterfreund
*Note this essay contains spoilers*
“…I’m more than just a piece in their Games.” ~Peeta Mellark, Hunger Games
Have you heard of Game Theory? Here’s a brief lesson: it’s not about games.
Then, what’s it about? Strategy. More specifically, it’s “a mathematical approach to the study of decision-making. It’s about strategy, about how people are programmed to respond in various social situations, and about the forces that can predict the ways in which living things, companies, communities, and even nations will act.” Yeah. So basically, The Hunger Games is all about game theory, and Diana Peterfreund gives us a few examples of how in her essay that’s part of the The Girl Who Was On Fire: Movie Tie-In Edition.
The Prisoner’s Dilemma
The Prisoners’ Dilemma is one of the classic problems in game
theory. In short, it posits the following: Two people accused of a
crime are captured and questioned separately. They are each told
they have the option to confess (“defect”) or keep quiet (“cooperate”),
but their punishment will depend not only on whether or
not they confess, but whether the other prisoner does as well. For
instance, if neither prisoner confesses, they might both receive a
year in prison. If both confess, they’ll both receive five years in
prison. But if one confesses and the other doesn’t, then the confessor
will be free to go while the secret-keeper will receive ten
years in prison.
The Prisoner’s Dilemma is popular in game theory because it touches on its central question of self-interest vs. cooperation. Basically, the best outcome would be if neither prisoners confesses. Then they’d both be back out partying in a year. However, the best strategy for a person’s individual self-interest is to confess. Because if I confess and my buddy confesses, then we’re only there for five years. Even better, If I confess and my buddy doesn’t, I’m out of there! BUT if I make the choice NOT to confess and my buddy does, then I am not in a good place. So this good strategy of me confessing because it will turn out best for me regardless is called dominant strategy. Katniss Everdeen is all about dominant strategy in The Hunger Games.
Katniss’ dominant strategy is to assume that Peeta is trying to kill her. Admittedly, it’s hard for her. He seems so genuine and he’s so easy to like, but then she will see him do something like wave to the Capitol citizens from the train and she’ll fall back on it — “…kind Peeta Mellark, the boy who gave me the bread, is fighting hard to kill me.” Even if Peeta really does love her, like he confesses in the interviews, and is teaming up with Careers in the arena to save her life — well, at the end of the day there can only be one Victor. So Katniss’ dominant strategy is believe that his own self-preservation will kick in…and he’s trying to kill her. This strategy only changes for Katniss when the rules of the Game change to allow two Victors.
Game Breakers
Peterfreund’s next point is that games change over time. This can even be likened to the Carrie Ryan’s “Panem et Circenses” essay, in which she describes how Reality TV competitions like Survivor have become more extreme as time has gone on. In this case, though, it’s more about the players changing the game to their winning advantage as opposed to the Gamemakers changing the game for the audience. Throughout her time in the arena, Katniss bases a lot of her actions on what she learned from watching the games throughout her life. The concepts of the Careers, alliances, and having a certain strategy (like Foxface, for example) are all based on knowing how the Hunger Games work and using that knowledge to your advantage.
But there’s a slight difference between what I’m describing above and this:
Katniss (and Peeta) don’t just change the Hunger Games — they break them. Katniss is compared to Ender from the novel Ender’s Game by Orson Scott Card. At the end of the day, both protagonists stumble upon the fact that, “if your strategies are good enough, they can not only change the game beyond recognition, they can break it entirely.” “…both protagonists realize very quickly that their real enemies aren’t the other children on the playing field, but the game designers who seem determined to break them.” This too, is in game theory:
If you examine the notes that the players took the first time game theorists studied the effects of a multiple-round game of the Prisoners’ Dilemma in 1952, you can see their dawning realization that the true opponent is not the other player, but the game designer. One of the players, John D. Williams, makes it explicit only halfway through the game as his opponent persists in trying to get him to “trade” rounds of cooperate and defect, writing: “[He] doesn’t realize we’re playing a third party, not each other.”
A Little Cooperation
Katniss and Peeta end up defying the dominant strategy with the berries. Then in Catching Fire, Katniss goes in with the mind not to try to kill Peeta — but to save him. That becomes her strategy. And when we actually get to the arena, we see that several of the tributes have agreed to try to save both Katniss and Peeta at all costs — even if it means their own lives. Gone is the self-preservation, the dominant strategy. And it turns out, this is not uncommon in game theory, It turns out that, “evidence from other researchers revealing that repeated games of the Prisoners’ Dilemma resulted in human cooperation. Subsequent studies of large, multiplayer tournaments revealed that players possessed a decided preference for cooperation, following a specific set of rules (including ‘be nice’ and ‘reciprocate’).” Computer simulations came up with similar results: when the players cooperated, the game was better for both of them.
The cooperation between Katniss and Peeta changes the
Games completely—not just how they are played, but how they
are won. For the first time, the winner of the Hunger Games
doesn’t only triumph over the tributes from the other districts;
they triumph over the Capitol itself. Finally, the players can see
the true dilemma they, as prisoners, face: they are not fighting
against each other, but against an outside force. The Hunger
Games are a form of psychological torture the Capitol uses to
keep the districts in line. After Katniss and Peeta symbolically
break the game in The Hunger Games, and the victor tributes
explicitly break it—by destroying the arena and escaping—in
Catching Fire, the Capitol is forced into outright war to keep the
rebels in line.
So, yes, Peterfreund concludes, game theory is not about games. It’s about politics, psychology, strategy. War. Life. Death.
May the odds be ever in your favor.
Let’s Discuss
1. Can you think of any other examples of how dominant strategy is exercised in the Hunger Games Trilogy? What about game theory in general?
2. Peterfreund discusses the Nash Equilibrium and how it relates to game theory in this essay. She summarizes: “Nash equilibrium occurs when there is no value to changing your strategy when you know the strategy of the other player. It’s an “equilibrium” because there is no benefit to change.” What examples of this do you see played out the in the Hunger Games?
3. The Hunger Games and Ender’s Game are two books where the characters use the ideas of game theory to govern their actions. Can you think of any other books where game theory comes into play?
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about 3 months ago
I love the part in Catching Fire before Katniss goes into the arena and Haymitch tells her to remember who the enemy is. And at first she thinks its her opposing tributes. But later, especially in Mockingjay, Katniss understands that the enemy is the Capitol for making them do this to each other. And that is what this essay brings out. And I love it! Great addition! I remember also that the prisoners dilemma was talked about by Ky in the book “Matched”. I love the premise of it. It is just so thought provoking.
about 3 months ago
Hi, Isabel!
I don’t remember that part in Matched, but thanks so much for pointing it out. I think the most important part of the Prisoner’s Dilemma is the realization that your real opponent/enemy is not the other player, but the gamemakers/prison guards. As I was researching this essay, I actually read the scoresheets and the notes the players took during their “games” from two game theory academics in the mid-20th century, and you could see one player’s slowly dawning realization that he wasn’t playing his opponent, they were BOTH playing the researchers (the other player, sadly, didn’t cotton to this fact). It really takes someone like Peeta and Katniss to be willing to make the sacrifice to truly win.
Even though it means losing.
about 3 months ago
In a way, President Snow and the Districts are engaged in one giant hunger games, ending at the final capitol showdown in Mockingjay. Katniss even makes the comment when she sees the pods on the map “let the 76th Hunger Games Begin!” In the end, president Coin is revealed as the designer of this game, pulling Katniss and Snow’s strings.
If Snow and Katniss had realized they would be better off cooperating, they could have “broken the game” to take out Coin. Unfortunately for both of them, they make that realization too late, as Snow points out in their last meeting. He says something to the effect “I was watching you, you were watching me, and neither of us payed attention to Coin.” If Snow and Katniss had been able to trust each other and come to negotiated terms, they could have “defeated” Coin. THe tragedy at the end of the book is dominant strategy won out, and both were left in the classic result of the prisoners’ dilema, with the capitol and the districts both paying the price of “defecting”
about 3 months ago
Wow, that’s a fascinating interpretation! I’m not sure it would have worked, though. It doesn’t seem like a true prisoner’s dilemma set up, in which there is a benefit to cooperation. There may be other game theory designs which more properly mirror the situation you describe. (PD is only one of hundreds of experiments in the field.)
I have a really hard time imagining Snow and Katniss ever coming to an agreement about anything! I’m trying to imagine what benefit Katniss would ever have gotten from cooperating with Snow. Her lack of attention to Coin did cause a tragedy, but I’m not sure it would have been one that she and Snow could have prevented?
Still, I want to hear more about that idea.
about 3 months ago
Jack Bristow, a character on Alias, was an expert in game theory. He was a spy, if you aren’t familiar with the show, and so he was basically an expert in strategy, which always intrigued me. He successfully orchestrated/ordered key meets and exchanges with foreign operatives and opposing parties to a usually beneficial outcome, because he weighed their motivations, etc that would influence how the other party would act. It was fascinating. An early season 1 episode, (“Parity”, I believe) was dedicated almost entirely to Jack’s masterminding a meet that brought together two artifacts, each in possession of an opposing intelligence agency, to be made whole and reveal something greater. The details of how the two operatives wouldn’t kill each other came out of his game theory, as well as why the two agencies must cooperate. (ending in a compromise in that both would discover the new intel simultaneously, to the advantage of neither.) There were many other examples of game theory applied throughout the series, and to hear it applied to Hunger Games excites me as well! So, this statement, “[G]ame theory is not about games. It’s about politics, psychology, strategy. War. Life. Death.” is ultimately proven true in Alias.
Also, the Prisoner’s Dilemma is commonly used on suspects in crime dramas as a (usually) effective interrogation technique. They are encouraged to rat out their fellow arrestee before the other does, and are promised rewards in return for being the first to confess. (easier sentence, etc.) It’s usually the smarter criminals who both keep quiet, thus frustrating the investigators who are forced to abandon them as leads.
about 3 months ago
I really need to watch Alias.
You’re totally right that crime dramas love to set up PD. They love it almost as much as good cop/bad cop. It’s just such an emotionally rich situation for drama, and it’s why all the audience of the Hunger Games were riveted to those berries!